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Breaking Laces Leave Their Traces

The New York band looks for success outside their own backyard

New York bands usually have a way about them. A kind of urban swagger, an aloofness that comes from living in one of the world’s largest and most vibrant cities. Maybe I’m categorizing too much, but you can usually pick the New York band out of a line-up. So many bands, so many Ramones or Strokes lookalikes. And maybe that’s unfair. Breaking Laces, who hail from Brooklyn, seem to break that stereotype. They’re not your typical New Yorkers; they have a fresh face and sound that doesn’t sound like a creation from the mean streets. And tough guys? Fuhgeddaboudit.

“We’re probably the least hard core guys around,” admits singer Willem Hartong.

A major downside is the competition. There are so many bands that unless you’re the Strokes you really have to work to get attention. And that includes getting off stage at 12:45 a.m. after a gig in Toronto and heading right back to New York.

“That was insane,” he recalls. “You know what happened was that we were trying to get in to this place in New York for a while, and we got it after shifting the date a few times and all of a sudden, North By Northeast calls and says ‘you’re in’, and we’re like, ‘Oh, no!’”

It’s not like road trips are anything new for the band; they’ve been spending a lot of time touring this year supporting their CD, Sohcahtoa, (Sidewinder Records). They’re concentrating on bringing the CD out to audiences around the country instead of building the hype in the Big Apple and getting signed. “If we were signed to a label, they would be sending us out of the road doing what we’re doing now anyway,” shrugs Hartong.

The four-track sampler from the release they gave out during their gig at Holy Joe’s reveals a good mix of radio-friendly pop with a bit of edge in the lyric department. They’ve drawn comparisons to bands like the Violent Femmes, but I think that’s probably because their sound is based more around the acoustic guitar than any real resemblance. Basic reference points might be It's A Shame About Ray era Lemonheads or the Barenaked Ladies without the heavy irony.

The track they’re currently shooting a video for, “God In Training” is a kind of a geek’s fantasy, where Hartong ponders the idea that once he’s out of training and he becomes God he can quit his paper route and women will want him.

“Meagan” is a pretty ballad, more contemplative than sad, with strings and piano that stay in the background creating the mood and acting as counterpoint. The songs are all solid individual pieces that sound fresh and sincere and will certainly capture the attention of more important ears in the months and years to come.

The band has just come off a month-long tour around the U.S. They plan to come back to Canada, hopefully in November and their video for “God In Training” will be serviced to MTV in the U.S. as well as Launchcast on the Internet.

-- Keith Powell

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